Barcelona-based Francesco Tristano is establishing himself as one of the most original and eclectic musicians of his
Trained as a classical pianist and having recorded a number of classical albums, Francesco broke new ground with 'Not for piano', the album
that launched the French label inFine in 2007, containing his compositions as well as acclaimed piano versions of Detroit techno classics of
'Strings of life' and 'The bells'. Francesco teamed up with Detroit's own Carl Craig for a remix of 'The melody',
and, subsequently, project Versus (featuring symphony orchestra and Moritz von Oswald) as well as the legendary Innerzone Orchestra (as pianist,
keyboardist and arranger).
'Idiosynkrasia', Francesco's latest album on iF, was recorded and mixed at planet-e communications Det..
A close musical encounter of the third kind: that might be the most appropriate way to describe what the people on board The Space on July 18 2010
were lucky enough to experience. That night, a grand piano – let’s call it a UFO – had landed in the illustrious Ibiza club. At its helm:
Francesco Tristano, not yet thirty and already a long-distance adventurer in sonic space. Also on board, in the DJ booth, was Carl Craig, controlling
Ableton with the help of his Ipad. Carried away by the fervor of an audience in perfect osmosis, the duo flew higher and higher, eluding the borders
between musical genres and giving a performance that has already gone down in Space’s history.
A few months earlier, in Detroit, a similar sighting had been reported: a grand(iose, of course) piano had settled for a week amidst an impressive
number of machines and a no less impressive number of records, virtually
filling the studios of Planet E communications, Carl Craig’s label. For it was precisely there, in that stronghold of Detroit techno, that Francesco
Tristano had chosen to record Idiosynkrasia, his third solo album for inFine´.
Although at first these two events may sound surprising, they are links in an inescapably coherent chain of events. After all, isn’t the piano the
ancestor – and a pretty valiant one at that – of keyboards, synthesizers and the like, whose sounds are essential features of our nocturnal
soundtracks? As such, isn’t it equally at home in a club as in a concert hall? Does it not belong just as much in Berghain as in Carnegie Hall? Most
certainly, provided the aforementioned piano is in good hands... We’re in luck: Francesco Tristano’s hands have already proven, time and time
again, how capable they are of taking the piano and, with it, the audience into previously unexplored territories.
Following a very classical course – from music academies to philharmonic orchestras – Francesco Tristano’s trajectory was to change radically
when he became a student, in the early 2000s, at The Juilliard School in New York. It was also around this time that he discovered the city’s clubs,
a whole parallel world: electronic music. A new avenue to explore, which Francesco, always hungry for experience, would rush into, shunning the beaten
track. This new horizon he had discovered, and continues to pursue to this day, was the promise of a truly liberated form of music, impossible to
narrow down to one (or more) specific genre(s); a kind of music that would also let the piano resonate differently, in the radiance of a new-found
In February 2005, a performance at the Bouffes du Nord (in Paris), rounded off by a dazzling version of Derrick May’s Strings Of Life, was to lead
directly to the birth of the inFine´ label, which adopted an unconventional line from the outset, in tune with Francesco’s approach.
Since then, three solo albums have been released – Not For Piano (2007), produced by Murcof and Auricle Bio On (2008), mastered by Moritz Von Oswald
– and Idiosynkrasia (2010) as well as 'Aufgang' (2009)', a trio formed by Francesco, Rami Khalife´ and Aymeric Westrich, who met
during the New York years. At the crossroads of numerous musical sources – from techno to classical/contemporary music, not forgetting ambient –
each record takes pathways that are both specific and convergent, leading into a realm of perpetual motion (a Tristanoman’s land?).
The tireless explorer that is Francesco Tristano returns this fall with a new solo album whose title, Idiosynkrasia, is an artistic manifesto.
Fundamentally polychromatic, evolving ceaselessly from one mode to the next, Idiosynkrasia nevertheless proves to be perfectly coherent and reveals,
in fine, an extra-large conception of music.
“I’m more and more convinced that there are no limits to music: one can always go one step further...”
Selected discography Francesco Tristano
Idiosynkrasia (CD, LP) 2010
Auricle Bio On (CD, LP) 2008
The melody (12" - remixes by Carl Craig, Balil, and FT) 2008
Not for piano (CD) 2007
Strings of life (12" - remixes by Apparat Kiki, version by FT) 2006
Air on fire EP (CD) 2010
Barock (12" - remixes by Robert Hood, Wareika Mondkopf) 2010
Aufgang (CD, LP) 2009
Channel 7 (12" - remixes by Cubenx and John Talabot) 2009
Sonar (12" - remixes by Spitzer Krazy Baldhead) 2009
on other labels:
Freedom Jazz Trio - New under the sun (AACE records, 2010)
Pop Art - Piano duet with Rami Khalife (Nagam, 2008)
Frescobaldi dialogues (Frescobaldi Toccatas book 1 and improvisations) (sysiphe/abeillemusique, 2007)
Ravel Prokofiev Piano Concertos, Russian National Orchestra (Pentatone, 2006)
Luciano Berio - Complete piano works (sysiphe/abeillemusique, 2005)
JS Bach: Golberg Variations (CD accord/Universal Polska, 2002)
JS Bach: Complete Keyboard Concertos (CD accord/Universal Polska, 2004)
Francesco Tristano appears on (selection)
A taste of the last supper - presented compiled by FT (infine, 2008)
Carl Craig - Sessions (!K7, 2008)
Apparat - Strings to be frickled (Shitkatapult, 2008)
Agoria - The green armchair (PIAS, 2006)
Agoria - Cute Cult (PIAS, 2005)