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From these beginnings with Monique Musique to the launchof his own imprint « Invade Records » in 2014. T he Carreerof Ilario
Liburni reveals the wish to take part of the electronicworld music.It’s in 2011 that the Belgian with italian origins sign his firstEP on Monique
Musique. T hanks to this perfect launch, IlarioLiburni (T hat’s his real name), persevere in this way and thedawn of the year 2012, Inmotion Music
release the track «Crapkin ». T his release is the first check point in his carreerand receive the feedback of the leads in the house /
techhouseindustry. « Crapkin » take part to the Defectedcompilation, selected mixed by NOIR.T he meets between Noir Ilario is a new step in
hiscarreer. Noir propose to Ilario to take part into the Noir MusicFamily. Inspired by the sound of Ilario, NOIR decided to the subdivision Klimaks
Records and offer him tosign the first EP of Klimaks.2013 sound like a beautiful story, Carlo Lio for Rawthentic orRiva Starr for Snatch! gives the
possibility to Ilario toexpress himself thanks to his eclectics productions, withone goal : Nothing but the dance- floor.Kina Music, Medicine,
Memoria, Earlydub or more recentlyLeone Music Moan, many quality labels request thetalents of Ilario, suggesting a year 2014 took off like as
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Belgian talent Ilario Liburni looks to the release of his debut LP, ‘Travel So Far’, forthcoming on his own label, Invade
records. The eight track affair comes on a double vinyl pack as well as digital form which will follow a month later and proves the man behind it to
be a superb producer with plenty to say.
Combining elements of house, minimal and intricate sound design, Ilario also heads up the Cardinal label and first emerged back in 2011 on Monique
Musique. Since then he has gone on to release on a number of respected imprints (including Riva Starr’s Snatch! and Memoria Recordings), has had his
tracks licensed to compilations including Noir’s In the House album for Defected and has continued to make a big
impression as a DJ around Europe.
The album kicks off with ‘Travel So Far’, a synthetic and stripped back groove with lots of squelchy sounds, scurrying synths and feathery
percussive lines all working their way into your brain. ‘Sudden’ is another Ricardo Villalobos style track that is elongated, intricate and
immersive as it unfolds on soft edged drums.
Next up, ‘Carrie’ is a smooth, dubbed out affair that demonstrates plenty of restraint yet really locks you into its hypnotic groove as static
hiss and crackles alongside distant synths colour the spaces left behind. ‘Steampunked Sewing Machine’ ups the ante a little with a hollowed out
drum line rocking back and forth on its heels, and ‘Can’t Fool Data’ starts all waify and minimalistic before getting pulled apart to the sound
of whirring machines, and then it s again; you can imagine dancefloors going wild to its hooky rhythms.
‘Jenndrum’ is all about the pinging drum kicks and globular toms that make for a peppery groove, ‘Pherthothal’ toys with a sense of abstract
funk and closer ‘Schwalbe’ is a gloopy, gluey, druggy fusion of slurred synths, hiccupping drums and dark textures that make for involving
This is a genuinely inventive album riddled with fascinating sounds, a real attention to detail and plenty of otherworldly moods that really stick