Trap music is a music genre that originated in the Early 1990s from Southern hip hop in the Southern United States. It is typified by
its aggressive lyrical content and sound, which incorporates 808 sub-bass kick drums, double-time, triple-time and other faster time division hi-hats,
layered synthesizers, and "cinematic" strings.
In 2012, a new movement of electronic music producers and DJs emerged who began incorporating elements of trap music into their works. This helped
expand its popularity among electronic music fans. A number of stylistic offshoots of trap developed, which in the latter half of 2012 gained a rise
in viral popularity and made a noticeable impact on dance music.
Trap music incorporates an extensive use of multi-layered hard-lined and melodic synthesizers, crisp, grimy and rhythmic snares, deep 808 sub-bass
kick drums, double-time, triple-time and similarly divided hi-hats, and a cinematic and symphonic utilization of string, brass and keyboard
instruments creating an overall dark, harsh, grim and bleak background feeling for the listener. This would go on to be the signature sound and
feeling of trap music originating from producer Shawty Redd.
Trap music is also defined by its bleak, gritty and belligerent lyrical content, ominous characteristics which widely varies depending on the hip hop
artist but typical lyrical themes include observations of street life, poverty, violence, and hardship in the "trap" and harsh experiences urban
surroundings that the rapper is trying to lyrically portray to the listener. Other trap lyrical themes include crime, drug dealing, partying, sex,
jail, religion, violence, weapons, gangs, social issues, family, friends, personal emotions and feelings, nihilism, business, music industry changes,
rebellion, resentment, profanity, racism, consciousness, life, death, politics, materialism, and wealth.
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Dubstep /dbstp/ is a genre of electronic dance music that originated in South London, England. It emerged in the
late 1990s as a development within a lineage of related styles such as 2-step garage, broken beat, drum and bass, jungle, dub and reggae. In the UK
the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. The music generally features
syncopated drum and percussion patterns with bass lines that contain prominent sub bass frequencies.
The earliest dubstep releases date back to 1998, and were usually featured as B-sides of 2-step garage single releases. These tracks were darker, more
experimental remixes with less emphasis on vocals, and attempted to incorporate elements of breakbeat and drum and bass into 2-step. In 2001, this and
other strains of dark garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes
stylised as FWD>>), which went on to be considerably influential to the development of dubstep. The term "dubstep" in reference to a genre of
music began to be used by around 2002 by labels such as Big Apple, Ammunition, and Tempa, by which time stylistic trends used in creating these
remixes started to become more noticeable and distinct from 2-step and grime.
A very early supporter of the sound was BBC Radio 1 DJ John Peel, who started playing it from 2003 onwards. In 2004, the last year of his show, his
listeners voted Distance, Digital Mystikz, and Plastician in their top 50 for the year. Dubstep started to spread beyond small local scenes in late
2005 and early 2006; many websites devoted to the genre appeared on the internet and aided the growth of the scene, such as dubstepforum, the download
site Barefiles and blogs such as gutterbreakz. Simultaneously, the genre was receiving extensive coverage in music magazines such as The Wire and
online publications such as Pitchfork Media, with a regular feature entitled The Month In: Grime/Dubstep. Interest in dubstep grew significantly after
BBC Radio 1 DJ Mary Anne Hobbs started championing the genre, beginning with a show devoted to it (entitled "Dubstep Warz") in January 2006.
Towards the end of the 2000s and into the early 2010s, the genre started to become more commercially successful in the UK, with more singles and
remixes entering the music charts. Music journalists and critics also noticed a dubstep influence in several pop artists' work. Around this time,
producers also began to fuse elements of the original dubstep sound with other influences, creating fusion genres including future garage, the slower
and more experimental post-dubstep, and the harsher electro house and heavy metal influenced brostep, the latter of which greatly contributed to
dubstep's rising mainstream popularity in the United States.
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Dragi Prieteni, fiind unul din cele mai bune treckere din Moldova avem onoarea s v prezentm un nou proiect care va aduce muzic select n
difuzoarele voastre. Quote: