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Артист: Dohr Mangold vs Jonathan Mendelsohn Название: Hurricane Жанр: House Год выхода: 2013 Label: Trice Recordings / TRCR029 О музыке:
Enjoy the silence before the storm, cause the new Dohr Mangold is about to rush in. The German duo teamed up with US singer Jonathan
Mendelsohn, with the deep bassed houser 'Hurricane' hitting in with full effect! Trembling the grounds and shaking clubs to its foundations,
is exactly what 'Hurricane' will do. 2 years after the all-destroying ''B.I.C. (Born In Chicago)', Dohr Mangold return to
the Armada Music label, road-testing a shiny new Trice Recordings. 'Hurricane' rides the powerful vocals of Jonathan Mendelsohn, who's
previously worked with the likes of Dash Berlin, Way Out West and Laidback Luke. This time, he was invited by Dohr Mangold, and boy, do they know
how to handle a voice like that. 'Hurricane' builds and builds, unleashing the beast in every club it meets.
01. Dohr Mangold vs Jonathan Mendelsohn - Hurricane
For singer/songwriter/producer and remixer Jonathan Mendelsohn, the last few years have been a whirlwind of musical collaborations
and rebirths, putting him on a trajectory towards the release of his long-awaited debut album.
Since bursting onto the music scene performing his soulful self-penned pop song “Over” before Showtime at the Apollo’s notoriously discerning
crowd, Mendelsohn has collaborated with the likes of Laurent Wolf and Chris Willis (“Love We Got”), Laidback Luke (“Till Tonight”), Nic
Chagall (“This Moment”), Chris Brann and Wamdue Project (“Forgiveness”) and Nick Warren Jody Wisternoff of Way Out West. His signature brand
of electro-tinged dance pop, infectious melodies and vocal arrangemnents has even garnered him such disparate comparisons to reigning
critically-acclaimed darling, Robyn, radio favorites One Republic and Adam Levine of Maroon 5.
2011 will see a wealth of new material from this rising star, including stellar collaborations with David Morales (“The Last Time”), Morgan Page
and Andy Caldwell (“Where Did You Go?”), Dash Berlin (“Better Half of Me”), Dennis Shepherd (“Bring Me Back”) and an epic re-teaming with
Laidback Luke (“Timebomb”). Of course, there’s Mendelsohn’s own debut, Reckless Wonder slated for a 2011 release.
Explains Jonathan, "Working with such a wide range of producers over the past two years has been not only a necessary step in making a name for myself
in the music industry, but an excercise in developing my sound even further. I work really hard to make my songs a unique experience for the listener.
I want them to hear my voice and know instantly who the singer is. That is what being an artist is all about for me. With my solo album, I'm
working on going a little deeper into my sound and really showcase my talents like never before. I have written so many songs over the years, and
it's been a really long time coming but I think I am finally ready to unleash an album's worth of material that promises to reveal some
amazing material and be an extra special listening experience!"
From a very young age, Jonathan Mendelsohn knew that he was destined to lead a life dominated by music. Born in Brooklyn and raised in upstate New
York, his singing career began pretty early. “I would literally carry my battery powered Fisher Price radio around with me all day. I would wail
into the tiny plastic mic attached to it, singing marathon sessions. Clearly I was prepping myself for things to come.”
Learning chord progressions from his concert pianist mother, Mendelsohn began writing his own songs at age 11. “I think the more I started to
realize that I was different from most people, I started to fuel my songs with these trapped emotions. I have always been really grateful that I have
had songwriting as an outlet to express myself.”
His love affair with pop music began with early ‘90’s Top 40 radio with favorites like Paula Abdul’s “Forever Your Girl,” C+C Music
Factory’s “Gonna Make You Sweat,” and Mariah Carey. Singer-songwriters like Tori Amos and Bjork were also early influences, along with the
hypnotic music of Radiohead and Pink Floyd. It wasn’t until Mendelsohn discovered rave culture in high school that he was seduced by electronic
music. Inspired by the energy and unique sonic soundscapes that could be d with synthesizers and computers, he dove into the world of music
production, returning to NYC in 2000 where he took courses in audio engineering while building his home studio from the ground up.
His jaw-ping four-week, season winning streak on Showtime at the Apollo lead to a collaboration with Chris Brann’s Wamdue Project on the track
“Forgiveness,” and a record deal with Sony BMG’s now defunct sub label, Music with a Twist. Work on Way Out West’s 2009 album, We Love
Machine, followed, marking the first time the duo had ever collaborated with a male vocalist. In 2010, Mendelsohn contributed lyrics and vocals to
select tracks by Nic Chagall, Laidback Luke and Laurent Wolf, while prepping material for his own debut release.
As a dj/producer and remixer under the moniker MENDy, Jonathan has also seen his production skills grace the dancefloors and top international Club
Play charts this past year. Recent re-workings for Donna Summer (“To Paris with Love”) and revered indie Deluka (“Cascade”) have been steadily
making the DJ rounds.
"DJing has always been a passion of mine, ever since I started as an apprentice with a mobile DJ company in my hometown when I was only 13. I used to
DJ school dances, birthday parties and proms in Upstate New York playing top 40, rap, hip hop and sometimes a little house when I could get away with
it. When I got the equipment all to myself, I would make mixtapes with all the underground house and trance music I could get my hands on.
There's something about mixing two records together seamlessly that is so satisfying. It really is an art form that requires a lot of skill and
When I got into remixing and producing dance music, it satisfied not only the need to be creative, but it was an exploration in the technical side of
music creation. I was always fascinated by the arrangements and layering in electronic dance music. Recording and producing for me is really just as
important to me as singing and writing songs. They go hand in hand really and I couldn't imagine doing one and not the other."
Expected in 2011, Reckless Wonder, promises to be a hybrid of musical styles. “I think all the different types of music I have ever been into have
influenced me in some way or another in my art,” Mendelsohn says.
“Pop music has been interpreted in many different ways and has taken on many forms over the years, but to me it’s just that essence of what makes
a great song appealing. I try to capture it and build on it. Sometimes that means adding lots of soul and energy, and sometimes it’s about capturing
a quiet, simple melody that stands out all on its own. I will not be put in a box and defined as one thing or one sound. Good music is just that, and
at the end of the day—and my life for that matter!—I just hope that I made some of it.”
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