Музыка / МультимедиаКартинки / ФотоСериалыФильмы / AVI / MKV / MP4Фильмы / HD / Full HD / Blu-Ray / 2K / 4K
Hardsyle Music For Sports Games ( Club / 2017 )
:: Детали раздачи
Раздача является мультитрекерной — учтите, количество раздающих не будет совпадать с количеством участников на сайте (скачивание на клиентской стороне зависит от настроек µTorrent клиент программы, настройки -> Включить DHT, Обмен пирами и Поиск лок-х пиров). Если висит надпись, пиры по нулям - не бойтесь, возможность скачать повторно раздачу - есть. Попробуйте, в случае отказа - прокоментируйте или нажмите на "Позвать скачавших".
Артист: Flashmob Pastaboys Название: I Need To Get Away Жанр: House Год выхода: 2013 О музыке:
nFo about the artist
Cracking the music industry is about as difficult an undertaking as you’re likely to embark on in a lifetime. Talent,
passion, perseverance and an unerring work-ethic; to achieve even moderate success in the industry you need all of these qualities and more in
abundance. So when Danny and Alessandro – now known under the ferociously successful Flashmob moniker – stepped away from their
highly fruitful previous project to essentially start again from scratch, they were more than aware of the long, hard road ahead of them.
In 2012 Flashmob is one of the most acclaimed, instantly recognisable production groups in house music. Riding a tidal wave of success generated by
the ravenous response to singles ‘Brick House’, ‘Ninety Five’ and – most significantly – ‘Need In Me’, Flashmob have carved an
indelible niche for themselves, crafting sublimely unpretentious house music, the widespread appeal of which has been near unprecedented. Not many
people’s records get spun by both Kerri Chandler at Pandemonium and Pete Tong at Pacha in the same season; the fact that Flashmob can count
themselves as producers in this group goes some way to showing the global underground appeal of the records they make.
Flashmob began to take shape more than five years ago, after Danny and Alessandro began disillusioned with their current project and laid it to rest.
Although highly respected in the techno and progressive house genres, they felt they had lost sight of why they started a career in music. “We were
producing 40-50 records a year” recalls Alessandro “and the labels we were working with were just chucking them out.” Rightly concerned that the
labels were concentrating on quantity over quality of their output, they stepped away from the industry to take stock and to consider their options.
“We decided that whatever we did next it should be about taking it back to basics” explains Alessandro. And that’s exactly what they did.
Educating themselves in the origins of house music they immersed themselves in the records and history of Chicago house Larry Levan, Studio 54, and
came back with a rejuvenated passion that extended not only to the music they would produce but the way in which they would come to promote it.
Their debut record as Flashmob was ‘Brick House’, a record that was eventually signed to pioneering Berlin imprint Get Physical. To kick start the
release however, Danny and Alessandro went back to grass-roots promotion, quite literally, as they spend 10 hours on the parched scrubland and car
parks outside Ibiza’s DC10, Pacha and Space ensuring that the DJs they wanted to have the record had a copy. A far cry from sending your latest
release to a mailing list of hundreds, ‘Brick House’ proved that it only takes support from a few key tastemakers to make yourself heard, and for
a while the enthusiastic hubbub d by ‘Brick House’ was simply irrepressible.
If ‘Brick House’ suggested that Flashmob might be capable of greatness, then it was the follow-up of Ninety Five that proved it beyond all doubt.
Signed by house heavyweight Defected Records and awarded the accolade of Essential New Tune by Pete Tong ‘Need In Me’ was undoubtedly one of the
biggest tracks of the year in Ibiza it remains and biggest selling track on Defected of 2012. But despite all its subsequent triumphs it was a record
that was close to never seeing the light of day.
When Defected requested a record from them, Alessandro did something he had never done before and sent the record to the label without telling his
productions partner Danny. “We weren’t sure that we wanted to release ‘Need In Me’” explains Alessandro “we just didn’t know if it was
the right record for us”.
This reluctance to do what do most people would have been an obvious decision highlights the humility and level-headedness with which Flashmob conduct
themselves. Despite their records hitting hundreds of thousands of plays on YouTube and regularly being charted by A-list DJs from all backgrounds,
Alessandro claims they are unaware of the level of success they’ve reached. “At the moment we’re just concentrating on the music and
concentrating on delivering the best DJ set possible whenever we play” he admits. “Danny and I have been through thick and thin for five years to
get to this point; now that we’re here we have to keep on pushing ourselves rather than sit back and think about our success.”
November 2012 sees the release of their latest endeavour, ‘Hot’, a record which according to Alessandro is “the true evolution of ‘Brick
House’. ‘Need In Me’ was a one-off record; ‘Hot’ picks up where we left off in 2011 and further develops the Flashmob sound.” Early
support from DJ Sneak, MK and Tiefschwarz indicates that ‘Hot’ will follow a similar lofty path to that of its predecessors, but Danny and
Alessandro are already planning their next move.
“The next Flashmob record will be something that people aren’t expecting… that’s how you stay ahead of the game!” enthuses Danny. And with
an album in the pipeline and a touring schedule rapidly on the rise, all the signs are there that Flashmob will continue their rapid ascension into
2013 and beyond.
Нажмите чтобы закрыть спойлер: nFo about the artist
This latest release from Flashmob sees them looking respectfully back to continually move things forward. Teaming up with legendary
Italian production outfit Pastaboys the two teams combine on this monster old school sounding track. Having previously had releases on Azuli, Irma and
of course Defected to name but a few, and responsible for remixing the likes of Quentin Harris, Celeda and Ame amongst others, Pastaboys are the
perfect outfit to hook up with to deliver this nod to the early Chicago house sounds. Handclaps, 808s, 909s, haunting Jamie Principle-esque vocals;
all the ingredients are here for a forward thinking rework of a timeless sound. Flashmob Pastaboys 'I Need To Get Away' Written by Jump
'Chico' Slamm Produced by Danny Minchella, Alessandro Magani (Flashmob) Davide Santandrea, Cristiano Rinaldi, Dino Angioletti (Pastaboys)
Sample Replay Production by Mark Summers at SCORCCIO Sample Replays www.scorccio.com
Mastered by Roberto Romano at Os3 Mastering Studio Published by Last Song (ASCAP) P C 2013 Defected Records Limited
Artist: Flashmob Pastaboys
Title: I Need To Get Away
Catalog Nr.: DFTD399D
Style: Deep House
01. Flashmob Pastaboys - I Need To Get Away (Original Mix)